Car crash theatre: Why won’t the critics defend quality in the West End?

While I attempt to escape the winter doldrums and finish a review of The Invisible Hand at New York Theater Workshop, I suggest you consider this December 15 post on the rageoffstage site, which comments on the recent run of an American celebrity in a David Mamet play on London’s West End.


Apparently, Lindsay Lohan has finished her West End stint as Karen in David Mamet’s ‘Speed the Plow’, and she is so delighted with how it all went that she is now contemplating a second Mamet play.  ‘One Mamet down’ she tweets, ‘Next stop Oleanna’.  Oleanna?! It’s a play we saw more than twenty years ago with Lia Williams and David Suchet, and a classic that deserves a revival.  We’d have gone again.  But as we are not interested in indulging a Hollywood star as she ‘learns her craft’ in front of paying audiences, we’ll have to give it a miss and wait another twenty years until one of the huge number of lesser known stage actresses who might have done the part justice gets a chance.

No, this is not a review.  We did not see this production of ‘Speed the Plow’.  But what really fascinates us is watching the…

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