So many networks, so many shows. Last year, a cable network called WGN America launched a series called Manhattan (often rendered with parentheses around the middle “a”), which is a curious thing—a noir-ish 40s drama taking place amid the Manhattan Project. I can’t think of any parallels for what this show is doing—which doesn’t mean there aren’t any—but the idea makes sense. A climate of secrecy and suspicion, anxiety about the ultimate aims one is serving, the pressure on relationships that must arise in an environment of intense work—all this can lend itself to noir.
I’ve seen only the intriguing pilot episode of Manhattan, which is now in its second season, but having mentioned it in an email this morning I realized it’s the sort of thing that fits the interests of this blog. You can find an introduction to the show, written by its current historical adviser, here. Those with a taste for cinematography may want to check a Q&A with the show’s director of photography here. Incidentally, the music for the second season is being composed by cellist Zoë Keating, whose work I admire, along with Jeff Russo.
It appears that you can’t watch past episodes of Manhattan for free, contrary to how some cable networks treat their shows. However, it is available to subscribers of Amazon Video and Hulu, and the first season can be rented from Netflix. The show’s web page is here.
You’re right, John. This one’s right up my alley.
LikeLike
I’m glad it sounds appealing, Ms. Prose. Next week, I could send to you review discs for the first season. Let me know if you’re interested.
LikeLike
I’m definitely interested, but probably won’t get to them until Christmas break. Thanks!
LikeLike
[…] of Ugly Lies the Bone, the play Mamie Gummer is doing, is included here, and my nod to Manhattan is here. Manhattan continues to be the most interesting show I’m not watching. A recent post by Alex […]
LikeLike