The 9/24/18 issue of The New Yorker contains an excellent profile of director Sam Mendes by John Lahr, called “Showman” in the printed edition. It reports this, which I had never noticed:
Much to his union’s chagrin, Mendes refuses to benefit from the hard-fought battle for “possessory credit”—you won’t find “A film by Sam Mendes” in the credits for any of his movies. A film, he said, “is written by someone else, shot by someone else. It’s not all me. It’s because of me.”
That comes off as a little less modest than Mendes may have thought, but it’s hard to judge how it sounded when he said it. In any case, it’s clear that he doesn’t think a film comes to exist solely because of him.
Something else that struck me was this: Continue reading