Reading notes: On Sam Mendes and long-form TV

The 9/24/18 issue of The New Yorker contains an excellent profile of director Sam Mendes by John Lahr, called “Showman” in the printed edition. It reports this, which I had never noticed:

Much to his union’s chagrin, Mendes refuses to benefit from the hard-fought battle for “possessory credit”—you won’t find “A film by Sam Mendes” in the credits for any of his movies. A film, he said, “is written by someone else, shot by someone else. It’s not all me. It’s because of me.”

That comes off as a little less modest than Mendes may have thought, but it’s hard to judge how it sounded when he said it. In any case, it’s clear that he doesn’t think a film comes to exist solely because of him.

Something else that struck me was this: Continue reading

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Memory and humility: Two notes on Brett Kavanaugh

One: During the confirmation hearings for the nomination of Judge Brett Kavanaugh to the Supreme Court, disagreements arose over what would seem to be basic facts, such as whether Kavanaugh assaulted Christine Blasey Ford at a party or whether Kavanaugh even attended a party where Ford was present. One thing that’s important to keep in mind while wrestling with questions of what really happened and what it means is that memory can be an unreliable witness. Continue reading